FRom an NYT-Praised, la phil-commissioned composer

The System Composers Use to Land Their Next Commission

The System Composers Use to Land Their Next Commission

The mentorship 100+ composers use to turn their dedication into commissions, performances, and awards.

Following the commissioning approach Saad’s been teaching us landed me a commission to write two pieces for a full orchestra and choir for a high-profile group for one of their biggest concerts of the year. We are already discussing a second 25-minute multi-movement work. The process works!

Sasha Kryuchkov, composer

Does This Sound Like You?

• You’ve spent years studying composition, but still struggle to get your music performed, commissioned, or recognized.

• You're serious about your craft, but feel isolated and unsure if your music really reflects your voice.

• You've applied to festivals, grad schools, or calls-for-scores… but rarely hear back, and you're starting to wonder what you're missing.

You're not alone...

Nobody Was Programming My Music...

Until I Figured Out This System

I sent my music to over 600 orchestras, and only one replied.

Then they didn't even perform it.

At the time, I was writing constantly, finishing piece after piece, thinking, maybe this will be the one that gets programmed by a major orchestra.

I had the degrees. The training. I had studied with world-class teachers.

But my inbox stayed quiet and my scores sat untouched.

Which is why I kept asking myself:

Why isn’t this working?

So I did what most composers do: I pushed harder. I wrote more. I chased the next big idea. But the harder I worked, the more disconnected I felt. I was producing music, sure, but I wasn’t proud of it.

There was no momentum. No direction. Just burnout and silence.

Then one day, I finished a new piece, looked at the final bar line… and felt absolutely nothing. No pride. Not even relief. Just exhaustion. 

That's when I told my doctoral advisor at Columbia University, “I’m not in love with music anymore.”

And for the first time, I asked the question I’d been avoiding:

“What am I doing this for?”

This question was my turning point. I finally realized I wasn't composing with clarity or a sense of purpose, but out of obligation.

I had been trying to impress imaginary gatekeepers and ended up writing music I didn't believe in.

And no amount of talent or training could fix that. 

So I changed course.

I stopped trying to prove I was “legitimate.” I started writing for performers again, not panels of judges and unreachable orchestras. I wrote by hand. I studied music that actually moved me. I reworked my scores so musicians could trust them.

And I built a process that helped me finish bold, intentional work—on time, without second-guessing.

And that’s when it all clicked:

It's not about being “the best” composer. It’s about writing music that actually gets played.

When your ideas are clear, your voice is strong, and your scores are built for the stage, musicians take notice. Presenters take chances. You don’t have to chase opportunity anymore. You start attracting it.

Once I made that shift, everything changed.

Suddenly, I was getting performances, commissions, residencies, and calls from orchestras I used to admire from afar.

Not because I became a genius overnight, but because I finally aligned what I was writing with the outcomes I wanted.

Now I help other composers do the same.

Some are earning scholarships to top conservatories. Others are building portfolios that lead to repeat performances, multiple commissions, and international recognition.

Because once your music is clear, intentional, and performer-ready, everything starts to shift.

And it doesn’t take years. It just takes the right support at the right moment.

From Zero Commissions to "Everyone Wants to Work With Me"

I went from having absolutely nothing going on and no clear identity to having my music performed internationally in less than a year. Saad's process helped me stop begging for performances and start building high-value collaborations. Now, I've secured an international residency I was previously rejected from, and performers are coming to me with guaranteed recordings. I’m on cloud nine.

Jude Duane, composer

From Stuck to a $60,000 Scholarship at Peabody in Under 1 Year

Before working with Saad, I was super lost, writing pieces that weren't going anywhere. He helped me write faster, stay on track, and build a strong portfolio that led to my acceptance into Peabody with scholarships, plus multiple performances and recordings, all in under a year.

London Scholle, composer

How to Write Music Performers Can't Wait to Play

Writing music that gets commissioned and performed comes down to three things:

✅ Crafting a specific artistic voice

✅ Executing an efficient composing process

✅ Building authentic connections with conductors and performers

The real problem?

Most composers are focused on the wrong things, like obsessing over being “original” enough, perfecting every bar before the piece has taken shape, or chasing approval from institutions instead of writing for performers.

That approach leads to burnout, endless revisions, and music that performers hesitate to program.

The Composer’s Brain System will fix all of that.

Because it teaches you a repeatable method for writing music that’s built for the stage and can open real doors.

This means:

→ More performances by musicians who are genuinely excited to play your work.

→ More commissions, contest wins, and scholarships that recognize your unique voice.

→ More invitations to festivals and residencies that position you for a fulfilling, long-term career as a composer.

And I built this system to enable you to do this. 

Inside, you’ll learn how to:

✅ Sharpen your musical identity so you’re not guessing what kind of music you should be writing

✅ Move from sketches to polished scores with a step-by-step process that saves time and frustration

✅ Understand what gets programmed (and why) so you can position your work more effectively

I know this works because my students’ results speak for themselves:

My Symphonic Dances for Wind Ensemble just premiered and has already been programmed by the same conductor for a second performance next year. On top of that, I just landed a new commission for a flute and string quartet.

Simon Alami, composer

My first commission is officially underway! What stood out is how clearly Saad breaks down things that are usually hidden behind academic walls. For the first time, I feel like I’m building a foundation for my work.

Theodore Schwamm, composer

Since studying with Saad, I’ve earned a USC composition degree, worked with top ensembles, and feel supported both artistically and personally. Saad helped me find my voice and build the relationships that got my music performed.

Amelia Horney, composer

How Composers Are Turning Their Scores Into Careers

There’s a clear process that’s helping serious composers break out of isolation and finally get their music performed, without cold emails or waiting for someone to “discover” them.

Step 1: Find Your Voice

Clarify the music that resonates with you so you can write pieces performers want to program.

Step 2: Create Your Portfolio

Finalize polished, performer-ready scores and learn how to present them in ways that open doors.

Step 3: Grow Your Visibility

Become the composer ensembles, festivals, and commissioners come looking for, instead of the one pitching cold and waiting for replies.

Step 4: Build Your Infrastructure

Put the right systems in place to track performances, manage your catalog, and ensure your career keeps growing long after your music premieres.

It’s really that simple—just four proven steps to go from feeling stuck to hearing your music on stage. And with the Composer’s Brain System, you’ll have the tools, support, and structure to finally get the performances and recognition your music deserves.

How the Composer's Brain System Gets You Commissioned, Programmed, and Awarded

Built on 20+ years of composing, including commissions from the Los Angeles Philharmonic, IRCAM, and the Kansas City Symphony, performances by the JACK Quartet, Minnesota Orchestra, and Imani Winds, and close to a decade teaching at Columbia University, this mentorship gives you the same tools and support that have helped composers land their next commissions, get programmed by major ensembles, win awards, and earn scholarships to Peabody, USC, NYU, Northwestern, and Vanderbilt.

Inside, you get access to:

Spots Are Extremely Limited!

✅ This is for you if...

• You’re tired of writing in isolation and want consistent feedback from someone who gets it.

• You've been stuck in perfectionism, self-doubt, or a long plateau, and you're ready to move your work forward.

• You have real skill and ambition, but want the structure, accountability, and feedback to push your work to the next level.

• You want to build the right relationships with performers and ensembles to get your music programmed at the level you're ready for.

• You’re open to refining your voice and building a body of work that reflects who you really are.

• You’re willing to do the work, including sketching, studying scores, and showing up consistently.

• You take composition seriously, as a craft, a discipline, and a core part of your life, whether or not it pays the bills.

❌ This is not for you if...

• You’re looking for shortcuts to success without putting in the creative work.

• You just want to dabble in composing occasionally rather than committing to daily growth.

• You're closed off to feedback or convinced you've already figured everything out on your own.

• You’re closed off to deepening your craft or growing outside your comfort zone.

• You’re unwilling to share your work-in-progress or engage with a community of peers.

• You believe performers should just understand your scores, without you improving your clarity.

• You’re not ready to invest time, energy, and focus into your long-term growth as a composer.

Frequently Asked Questions

Do I already need to be an experienced composer to start?

You don't need a long resume to join, but this isn't for beginners either. This is for composers who already take the craft seriously, whether you're a few performances in and want more, a working composer aiming for higher-tier opportunities, or someone who's been composing for decades and is ready to finally break through. Many of our mentees also hold advanced degrees but still struggle with consistency or clarity in their writing process. Whatever your background, if you've got the skill, ambition, and willingness to do the work, we'll help you turn that into real momentum: commissions, performances, awards, and a clearer sense of who you are as a composer.

What kind of music do you focus on, and do I need to compose like Saad?

We work with composers writing concert music, no matter your aesthetic. Whether your style leans modernist, minimalist, or something uniquely your own, the goal is the same: music that gets commissioned, performed, and awarded. And no, you don't have to compose like Saad. This isn't about copying anyone. It's about refining YOUR voice while using a proven system that helps you develop your work with more clarity and momentum.

I'm applying to graduate school for composition. Is this the right fit?

We work with composers writing concert music, no matter your aesthetic. Whether your style leans modernist, minimalist, or something uniquely your own, the goal is the same: music that gets commissioned, performed, and awarded. And no, you don't have to compose like Saad. This isn't about copying anyone. It's about refining YOUR voice while using a proven system that helps you develop your work with more clarity and momentum.

I have limited time due to family and work obligations. Is this program flexible enough for me?

Absolutely. Many of our mentees are parents, educators, and working professionals balancing serious composition with full lives. The program is designed with flexibility in mind, offering asynchronous materials, regular live office hours, and ongoing support that works around your schedule. You don't need to pause your life to make progress on your music.

How is this different than a private composition teacher or a university course?

Both can be valuable, but each has limitations. Private lessons often happen in isolation: there's rarely a long-term system, minimal support between lessons, and little community accountability. University composition courses lean academic: grades, busywork, and lectures that don't always connect to real-world commissions, performances, or career-building. The Composer's Brain System is built differently. You get a structured long-term framework, daily access to Saad and his team, and a community of serious composers working toward similar goals. The result is mentorship focused on one thing: helping you create music that actually gets commissioned, performed, and awarded.

Will I get commissions, performances, and awards?

Many of our mentees have gone on to land commissions, performances, residencies, and awards after applying what they learned here. We can't promise outcomes, but if you do the work, you'll have the tools and connections to push your craft and your career forward.

Do you help with bios, CVs, grants, contracts, and other career materials?

Yes. We've helped composers craft compelling bios, artist statements, CVs, grant applications, and press materials that actually sound like them while still hitting the professional tone institutions expect. Whether you're applying for a residency, a grant, a competition, or want to tighten your online presence, we'll give you direct feedback and real-world examples. Saad and his team have reviewed hundreds of these over the years, and we'll make sure yours stands out and feels authentic to you.

How much access do I get to Saad and the rest of his team?

You'll be working with Saad and his team directly. They give direct, personalized feedback throughout the entire program, not just at the beginning or during a few scheduled calls. Saad is active in the private community every single day, giving specific feedback on your music and career questions through custom written and video responses. There's also a small support team in place: Ambra handles onboarding, Nicky (our associate mentor) leads 4 of the 8 live calls each month, and Theodore manages community-related support.

How do the live calls work, and what if I can't make them?

There are 8 live calls per month: Mondays at 4pm ET and Wednesdays at 2pm ET. Times are subject to change for holidays, illness, or personal matters. Attendance isn't required, but the live calls are one of the most valuable parts of the program. It's your chance to share your music directly and get live feedback alongside other serious composers. Every call is recorded and added to the video library, so you can catch up anytime.

What is the curriculum?

We don't use a traditional syllabus like you'd get in school, and that's intentional. This isn't a passive course where you spend hours watching pre-recorded videos (though we do have hundreds of hours of content Saad will personally point you toward based on your interests). This is a mentorship program where your growth as a composer shapes the curriculum. That said, we follow a clear, structured process rooted in our Composing and Career Sys, because we believe a fulfilling life as a composer means developing both side-by-side. Our resource library ranges from foundational to advanced topics, all guided through weekly live coaching and personalized support from Saad: from refining your scores for performance to negotiating real-world commissions.

What happens after the mentorship is over?

By the end of your mentorship, you'll have the foundation to keep growing on your own, or you can choose to stay in the community for continued support. Either way, you'll keep lifetime access to all current and future pre-recorded and written content, and the progress you've made will stay with you throughout your career.

What's the investment, and when does it start?

The Composer's Brain is a 4 to 5-figure investment across three tiers, depending on the level of support and access you need. For context, composers at Juilliard pay $50,000+/year in tuition for this level of training. When you're accepted, you get immediate access to the content, the support, and the composer community, so you can start making progress right away.

Five Years From Now, Where Will Your Composing Career Be?

You've put in years writing piece after piece, sending work out, waiting.

If you're still not getting the commissions, performances, or awards your work deserves, the problem usually isn't your effort. It's that you're trying to figure it out alone, without the system, mentorship, or community of serious composers that would actually move things forward.

At this point, you've got two options:

❌ Keep going alone, finishing scores that nobody programs, applying to calls that don't reply, watching another year pass without

the breakthroughs your work has earned.


✅ Or step into a system that's helped composers turn finished work into commissions, performances, awards, and scholarships to top conservatories.

The work is the same either way. The trajectory is what changes.

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